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      <title>Grupos</title>
      <link>https://dev.sibetrans.com</link>
      <description>Noticias de  Música y medios audiovisuales</description>
            <item>
         <title><![CDATA[«PLAY IT AGAIN, SAM!» – The History, Theory and Practice of Songs in Films ]]></title>
         <link>https://dev.sibetrans.com/grupos/musica-audiovisual/noticia/6/play-it-again-sam-the-history-theory-and-practice-of-songs-in-films</link>
         <guid>https://dev.sibetrans.com/grupos/musica-audiovisual/noticia/6/play-it-again-sam-the-history-theory-and-practice-of-songs-in-films</guid>
         <pubDate>2013-08-12</pubDate>
         <description><![CDATA[ Since the invention of the cinema in the 1890s, film entertained a complex relationship with songs in its various forms (aria, Lied, pop song, etc.). The liaison of song and film assumed many different shapes throughout the past century. From the illustrated song to early attempts of synchronizing film and sound to the first musicals to pop soundtracks of the 1960s and 70s to Tarantino’s illustrated soundtracks: songs can play crucial narrative roles in films and superimpose semantic layers on the film text. In addition to intrinsic audiovisual connections, economic aspects such as music's suitability as a marketing tool, make both media the ideal collaborators. With the profession of the music supervisor on the rise, song placement in films is gaining more recognition both in- and outside the film industry.  
 This conference sets out to shed light on the history, theory and practice of song in film in a broad sense. We welcome submissions that deal with various semantic levels, the role and function of lyrics, of the voice, or of song performance in film. We expect many case studies, but we also encourage theoretical approaches.  Even though we focus on song in fictional film, we will also consider papers dealing with documentaries and experimental film, as well as with songs in television, advertising and digital media.  
 Please submit a short abstract (5-10 lines) and a curriculum vitae (3-5 lines) to Willem Strank: wstrank@ndl-medien.uni-kiel.de   The deadline for submissions is July 31.   
 Please don't hesitate to distribute our call to others who may be interested!  
 Possible issues (among others) include: 
 
 Songs in silent films, 
 Song scoring Arias and 'Lieder' in films 
 Songs composed for films 
 Songs about cinema 
 Illustrated songs 
 &nbsp;Films based on songs 
 Theme/Title Songs 
 &nbsp;Economic aspects of songs in films 
 Song in World Cinema (especially in India) 
 Songs in digital media 
 ]]></description>
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            <item>
         <title><![CDATA[Jazz and Cinema Conference 2013 ]]></title>
         <link>https://dev.sibetrans.com/grupos/musica-audiovisual/noticia/7/jazz-and-cinema-conference-2013</link>
         <guid>https://dev.sibetrans.com/grupos/musica-audiovisual/noticia/7/jazz-and-cinema-conference-2013</guid>
         <pubDate>2013-08-12</pubDate>
         <description><![CDATA[ The conference will gather academic scholars and others with an interest in the relationship between jazz and cinema from across a range of disciplines. We are looking for papers from a dynamic range of approaches: theoretical, historical, industrial, music aesthetic or technological analysis that fit into the theme of “Jazz and Cinema”. Possible themes could include: 
  • Analysis of the use of pre-existing jazz recordings to soundtrack films 
 • Analysis of purpose-made jazz soundtracks 
 • The social implications of the use of jazz in cinema 
 • The historical development of jazz in cinema 
 • Jazz musicians on the screen, an exploration of jazz musicians’ appearances in film Other topics around the broader theme of Jazz &amp; Cinema are also invited for submission. 
  We are delighted to confirm our keynote speaker will be Dr. Nicolas Pillai from Warwick University. Dr. Pillai is currently researching jazz in British film and television, as well as teaching more widely on music and visual culture. He has given papers on European jazz culture as an invited speaker at the National Jazz Archive and at Rollins College, Florida. Selected papers from the conference will be published in The Soundtrack special issue on jazz and cinema. 
  If you are interested in attending the conference, please send an 300 words abstract for a 20 minutes papaper and a short bio. to  jazzandcinema@gmail.com . 
   Deadline for abstract submission: 25 June 2013   Successful submissions will be notified by 1st July 2013  ]]></description>
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         <title><![CDATA[]]></title>
         <link>https://dev.sibetrans.com/grupos/musica-audiovisual/noticia//</link>
         <guid>https://dev.sibetrans.com/grupos/musica-audiovisual/noticia//</guid>
         <pubDate></pubDate>
         <description><![CDATA[]]></description>
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