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      <description>Archivos de  Grupo de trabajo en producción musical</description>
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         <title><![CDATA[Bibliografía]]></title>
         <link>https://dev.sibetrans.com/grupos/produccion-musical/archivo-doc/31/bibliografia</link>
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         <pubDate>2019-09-12</pubDate>
         <description><![CDATA[ BARTLETT, Bruce and BARTLETT, Jenny (2007).&nbsp; Recording music on location . Amsterdam: Elsevier Focal Press. 
 BURGESS, Richard James (2013).&nbsp; The Art of Music Production , 4th edn. New York: Oxford University Press. 
 —(2014).&nbsp; The History of Music Production . New York: Oxford University Press. 
 CHANAN, Michael (1995).&nbsp; Repeated Takes: A Short History of Recording and Its Effects on Music . New York: Verso Books. 
 CUNNINGHAM, Mark (1999).&nbsp; Good Vibrations: A History of Record Production . London: Sanctuary Publishing Ltd. 
 DOYLE, Peter (2005).&nbsp; Echo &amp; Reverb. Fabricating Space in Popular Music Recording 1900-1960 . Middletown: Wesleyan University Press. 
 EISENBERG, Evan (1987).&nbsp; The Recording Angel: Music, Records and Culture From Aristotle to Zappa . Columbus: McGraw Hill. 
 ESCRIVÁN, Julio d’ (2012):&nbsp; Music Technology . Cambrigge University Press. 
 FRITH, Simon; ZAGORSKI-THOMAS, Simon (eds.) (2012).&nbsp; The Art of Record Production : An Introductory Reader for a New Academic Field . Farnham: Ashgate. 
 GIBSON, Bill (2002).&nbsp; Sound advice on mixing . Vallejo, CA: ProAudio Press. 
 GIBSON, David (2005).&nbsp; The art of mixing . Boston, MA: Thomson Course Technology. 
 GRONOW, Pekka; SAUNIO, Ilpo (1998).&nbsp; An International History of the Recording Industry . London: Cassell. 
 HEPWORTH-SAWYER, Russ y GOLDING, Craig (2010).&nbsp; What is music production . Oxford: Focal. 
 IZHAKI, Roey (2008).&nbsp; Mixing Audio: Concepts, Practices and Tools . Oxford: Focal Press. 
 KATZ, Mark (2010).&nbsp; Capturing Sound: How Technology Has Changed Music . Berkeley: University of California Press; 2ª ed. revisada. 
 MASSEY, Howard (2000). Behind the Glass – Top Record Producers Tell How They Craft the Hits. San Francisco: Backbeat Books. 
 MOORE, Allan F. (2012).&nbsp; Song Means: Analysing and Interpreting Recorded Popular Music . Hampshire: Ashgate. 
 MOOREFIELD, Virgil (2005).&nbsp; The Producer as Composer: Shaping the Sounds of Popular Music: From the Illusion of Reality to the Reality of Illusion . Cambridge, MA: MIT Press. 
 MOYLAN, William (1992).&nbsp; The art of recording production: The creative resources of Music Production and audio , New Yorks: Van Nostrand Reinhold. 
 —(2002).&nbsp; Understanding and crafting the mix . Amsterdam: Elsevier/Focal Press. 
 OWSINSKI, Bobby (2006).&nbsp; The mixing engineer's handbook . Boston: Thomson Course Technology. 
 —(2009).&nbsp; The recording engineer's handbook . Boston, MA: Course Technology. 
 —(2010).&nbsp; The music producer's handbook . Milwaukee, WI: Hal Leonard Books. 
 THÉBERGE, Paul (1997). Any Sound You Can Imagine: Making Music/Consuming Technology. Middletown: Wesleyan University Press. 
 ZAGORSKI-THOMAS, Simon (2014). The Musicology of Record Production. Cambridge University Press. ]]></description>
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         <link>https://dev.sibetrans.com/grupos/produccion-musical/archivo-doc//</link>
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