Wednesday, 4. Sept. 2013
8:00-9:00
Registration
9:00-9:30
Opening
9:30-11:00
SESSION I: The Method of Cultural Mapping I
Chair: Giovanni Giuriati
Marcello Sorce Keller (Malta): Kulturkreise, Culture Areas and Chronotopes: How Old Concepts Can Help Cultural Mapping Today
Sarah Ross (Switzerland): “Intangible Cultural Heritage” and “Cultural Mapping”: Key Concepts and Methods for a Sustainability Science in Ethnomusicology?
Slawomira Zeranska-Kominek (Poland): The Geographic Method in Ethnomusicology and the Methodological Foundations of Cultural Mapping in Our Times
11:00-11:30
Coffee Break
11:30-12:30
SESSION II: Intangible Cultural Heritage and Musical Diversity I
Chair: Maša Marty
Matthew Machin-Autenrieth (UK): Flamenco for Andalusia, Flamenco for Humanity: Regionalisation and Intangible Cultural Heritage in Spain
Giovanni Giuriati (Italy): “Untouchable” cultural heritage: tradition and change. The example of the Gigli di Nola
12:30-14:00
Lunch Break
14:00-15:30
SESSION III: Cultural Landscape and Music I
Chair: Frank Kouwenhoven
Nancy Hao-Ming Chao (Taiwan): Musical Culture in the Garden kingdom of Suzhou: The Dialogue between Natural and intangible cultural heritage
Lukas Park (Austria): Music between Nature and Culture: Change and Preservation in Hua’er
Helen Rees (USA): Cultural Landscapes and Music in the Context of Intangible Cultural Heritage Protection: A View from China
15:30-16:00
Coffee Break
16:00-17:00
John Blacking Memorial Lecture
Laurent Aubert (Ateliers d’Ethnomusicologie, Genève): “New Objects, New Challenges: Rethinking Ethnomusicology”
17:30
Reception and Apéro Riche with Alphorn Experience (IASH)
Thursday 5. Sept. 2013
8:30-9:00
Ewa Dahlig-Turek: Discussion Paper “Musicology (Re-) Mapped”
9:00-10:00
SESSION IV: Intangible Cultural Heritage and Musical Diversity II
Chair: Ewa Dahlig-Turek
Gerda Lechleitner (Austria): Historical voices reloaded – rethinking archival responsibilities compared to intangible cultural heritage
Thomas Beardslee (USA): Questioning safeguarding: Heritage and Capabilities at Jemaa el Fnaa Square
10:00-10:30
Coffee Break
10:30-12:00
Roundtable Marc-Antoine Camp (Chair; Switzerland):
Together with Brigitte Bachmann Geiser, Patricia Jäggi, Dieter Ringli, David Vitali: Mapping and representing musical diversity in Switzerland: the role of musicians, ethnomusicologists and officials
12:00-13:30
Lunch Break
13:30-15:00
SESSION V: Cultural Landscape and Music II
Chair: Christine Dettmann
Shai Burstyn (Israel): Landscape, Climate and the “History of Hebrew Music”
Helena Simonett (USA): Landscape in Mind: Sensory Perceptions in Yoreme Music-Making (Northwest Mexico)
Dave Wilson (USA): Music in Ohrid, Macedonia: Tourism, auditory regimes, and the representation of a nation
15:00-15:30
Coffee Break
15:30-17:00
SESSION VI: The Method of Cultural Mapping II
Chair: Sarah Ross
Victor Grauer (USA): Mapping Music History: Africa, Out of Africa and Beyond
Svend Kjeldsen (Ireland): Urban Ethnomusicology and Cultural Mapping – Mancunian Irish: Musical Hybridization and Cultural Intimacy
Thomas Hilder (Germany): Sámi Music, Mapping the North, and the European Cartographic Imagination
17:15-18:30
POSTERS AND SHORT PRESENTATIONS
Chair: Laura Leante
Bhai Baldeep Singh (India): Imagining Revival and Restoration
Yann Laville (Switzerland): “The ambiguities of mapping: a few examples taken from FNS project Midas Touch and from the related exhibitions presented at the Musée d’ethnographie de Neuchâtel”
Hee-Sook Lee-Niinioja (Finland): Arirang, Perpetual Korean Intangible Cultural Heritage of Humanity
Irena Vishnewska (Poland): Contemporary musical behavior as an expression of national consciousness: Poles in Lithuania
Zhang Xingrong (China): Musical mapping of Yunnan province, southwest China, 1984 to the present
Concluding Apéro with book reception:
Charlotte Vignau (Germany): Modernity, Complex Societies, and the Alphorn
20:00
Evening Program: An Exploration into Swiss Music Traditions
20:00
Yodelling Workshop (Doris Hintermann, Basel)
21:30
Sonic Traces: From Switzerland im Seminarraum (Simon Grab, Thomas Burkhalter und Michael Spahr) (Hallerstrasse 5)
Friday, 6. Sept. 2013
8:30-10:00
SESSION VII: The Method of Cultural Mapping III
Chair: Rebecca Sager
Ian Russell (UK/Scotland): Bridging the Cultural Divide in Derry and Donegal
Ana Hofman (Slovenia): Mapping »inconvenient« music heritage
Pekka Suutari and Sanna Kurki-Suonio (Finland): Border issue, education and the disappearing Karelian language
10:00-10:30
Coffee Break
10:30-12:00
Roundtable: Dan Lundberg (Chair; Sweden):
Together with Anders Hammarlund, Ingrid Åkesson, Madeleine Modin, Mathias Boström, Mats Nilsson, Karin Eriksson:
Pluralize or Polarize – Ideologies Behind Music Collecting
12:00-13:00
Lunch Break
13:00-14:30
SESSION VIII: Cultural Landscape and Music III
Chair: Martin Clayton
Vincenzo della Ratta (Italy): The Space of Gong Culture in the Central Highlands of Vietnam
Tina K. Ramnarine (UK): World Heritage and Imperial History: Landscapes and Music through the Lenses of Botanical Cultivation and Cultural Survival
Thomas Solomon (Norway): Dancing the Landscape: Music and Movement in a Highland Bolivia Pilgrimage
14:30-15:00
Coffee Break
15:00-16:00
SESSION IX: The Method of Cultural Mapping IV
PANEL: Aileen Dillane (Chair; Ireland) and Colin Quigley (Ireland): Considering Cultural Mappings of a City: Explorations in Limerick Soundscapes
16:00-16:15
Short Break
16:15-17:45
General Assembly
19:00-20:00
Sound Shuttle – A Sound Walk through Bern’s historic center (starting point: Münsterplatz; free)
Options for Dinner in the historic city center
21:30
Carnival Organ compositions in front of the “Stadttheater Bern”
Saturday, 7. Sept. 2013
Excursion
Sunday, 8. Sept. 2013
9:30-11:00
SESSION X: Intangible Cultural Heritage and Musical Diversity V
Chair: Ursula Hemetek
Marzanna Poplawska (Poland): Intangible Cultural Heritage and Policy Making in Poland
Zuzana Jurkova (Czech Republic) Verbunk of Slovácko
Anastasia Hasikou (UK): Understanding the Musical Heritage of the Greek Cypriot population during the early British colonial period (1878-1914): the indigenous traditions of Ecclesiastic and folk music and the Emergence of the Western European Music Tradition.
11:00-11:30
Coffee Break
11:30-12:30
SESSION XI: The Method of Cultural Mapping V
Chair: Marcello Sorce Keller
Theresa Beyer (Switzerland): Cultural Mapping as Artistic Process
Galina Sytchenko (Russia): Maps, Mythological and Historical Geography, Music
12:30-13:00
Krister Malm: Closing Remarks and Final Discussion
