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Technological fiction, recorded time and 'replicants' in the concerts of Laurie Anderson
Ainhoa Kaiero Claver
Ainhoa Kaiero Claver
Teresa Fraile Prieto: Música de cine en España. Señas de identidad en la banda sonora contemporánea.
Reseña de Inés Thiebaut
Reseña de Inés Thiebaut
The “Ghost Melody” as Acousmatic Voice. Music and Effect from Melodrama to Cinema
Emilio Sala (Università degli studi di Milano)
Emilio Sala (Università degli studi di Milano)
The Arab Avant-Garde. Music, Politics, Modernity, editado por Thomas Burkhalter, Kay Dickinson y Benjamin J. Harbert
Reseñado por Rubén Gómenz Muns (Universitat Rovira i Virgili)
Reseñado por Rubén Gómenz Muns (Universitat Rovira i Virgili)
The Communal Ethos in African performance: Ritual, Narrative and Music among the Northern Ewe
Kofi Agawu
Kofi Agawu
The deconstruction of history, music and the autonomy of art in the post-modern aesthetic
Ainhoa Kaiero Claver
Ainhoa Kaiero Claver
The Film Score and the African Musical Experience: Some comments on a work in progress
Andrew L. Kaye
Andrew L. Kaye
The origin of music as seen from evolutionary science and from Alejo Carpentier’s Los pasos perdidos
Norbert Francis
Norbert Francis
